
15-16 June 2012
Contemporary art, music, dance
В рамках этого экспериментального проекта проведены 4 фестиваля, посвященных возможным способам взаимодействия художников, имеющи х различную художественную платформу и принадлежащим к разным жанрам искусства.
Organizer
International Culture Project
«Art-Residence»
Curator
Experimental multigenre project
extension art
extension art




Participants: Visual Art
Zuk Club
P 183
Dmitry Parkhunov
Dmitry Alexeev
Alexey Ivanov
Music
Vladimir Ratskevich / ZoomRa
Dance
Konstantin Grouss
ZERO Dance Gallery
Valentin Tzin
Poema Theatre
Concept
extension art
The project extension.art represents a zone of free experimentation. Among the project's aims is to mark out channels of free passage for creative ideas between the fields of architecture, academic art, and street art. The project's idea presupposes moving beyond the traditional relationship to the artistic process. We have invited artists, musicians, and choreographers capable of creating their works on the scale of the city, its open surfaces, and its empty spaces, to take part. Becoming part of open public space, a work of art enters into continuous dialogue both with the space itself and with its audience. In the intimate space on Povarskaya Street, a reflection of these ideas and of this continuous creative process finds the possibility of passing from one genre into another, erasing the boundaries between music, dance, and visual art.
Extension (English) — expansion — prolongation — dissemination — continuation — extent — enlargement — lengthening — development — prolongation — enlargement — addition; and also: a branch — prolongation — disconnection — additional term — extension phone — linear extension — extended end — installation length — extension handset
In the project extension.art, we are interested in the result of various languages of art moving beyond their existing limits, and in their interaction within the adjacent techniques thus created. Forward into the future and back to the origins are, in the development of the world, by virtue of a circular dependency, one and the same thing.
........... The contours of form limit the object — we cannot and do not wish to exist within the bounds allotted to us: those of our own bodies, of state borders, of social norms — a person can extend their conception of an object by means of imagination, logic, or laws of nature that resist rational comprehension — the need to expand, to develop, to extend drives people forward, or, conversely, halts them in place, allowing them, without moving from where they stand, to overcome any distance by the force of imagination — the traces left along the path already traveled may lead us back to the point of origin — it is not at all necessary to cross physical distances, since the traces left in musical notes, in paint on canvas and on walls, in the imprints of bodies in space, expand the available limits and send us back to the origins, to that which existed before signs, where no contours or forms existed at all ..........
